Each month in Horror Queers, Joe and Trace tackle a horror film with LGBTQ+ themes, a high camp quotient or both. For lifelong queer horror fans like us, there’s as much value in serious discussions about representation as there is in reading a ridiculously silly/fun horror film with a YAS KWEEN mentality. Just know that at no point will we be getting Babashook.
As two gay men, we have opted to use the moniker “Horror Queers” for this series of articles. It is a word that has a complicated history due to its derogatory use by bullies and hateful people, but has increasingly been adopted as a term of empowerment and a unifying term that recognizes the many complex identities that make up the LGBTIQQ community. Queer has become commonplace in academia, politics and pop culture over the past three decades. We understand and recognize that the term is still very hurtful for some people, but we believe that the more people that proudly reclaim it, the more the wounds and stigma surrounding the term are reduced. Using the word “queer” is intensely personal, but it is a decision that we are committed to. Please don’t be an asshole when using it and we’ll get along fine.
***SPOILERS for Batman Returns to follow.***
Synopsis for Batman: The monstrous Penguin (Danny DeVito), who lives in the sewers beneath Gotham, joins up with wicked shock-headed businessman Max Shreck (Christopher Walken) to topple the Batman (Michael Keaton) once and for all. But when Shreck’s timid assistant, Selina Kyle (Michelle Pfeiffer), finds out, and Shreck tries to kill her, she is transformed into the sexy Catwoman. She teams up with the Penguin and Shreck to destroy Batman, but sparks fly unexpectedly when she confronts the caped crusader.
Queer Aspect: The film contains a multitude of superhero “secret identity” tropes that mirror the repression/coming out process of queer folks. Oh and Catwoman is a goddamn boss.