Long is the list of science-fiction mediated texts that deals with social issues, especially race. Vic Morrow’s character was forced to confront his bigotry in Twilight Zone: The Movie (1983) and the shift of social power that was the authority of Black folks as their integrity and compassion was tested for the mercy of whites in one of Ray Bradbury’s short stories in Illustrated Man, first published in 1951. The vast possibilities for what this genre allows is the reason so many of us love it. It keeps stories fresh with its ‘anything goes’ ideology.
Fresh off the not-yet-released zombie comedy Little Monsters (pictured above), director Abe Forsythe and star Lupita Nyong’o (Us) are re-teaming for another genre comedy, Deadline reports today. This one is a sci-fi comedy, pitched under the title Miss Universe.
Horror Noire: A History of Black Horror (2019) is an exceptional Shudder original documentary (based on the 2011 book of the same name by Robin R. Means Coleman) that traces the history of Black representation in horror films — and their love for, and experiences in, the genre.
I have a group of men that I regularly go see horror movies with, they are four tall, white, hairy, middle-aged, gay men that I affectionately refer to as my Horror Bears. It’s cute and succinct. It was during one of our outings that someone in the group started talking about what podcasts people are listening to and Attack of the Queerwolf came up. In the sea of podcasts (myself included since I run Nocturnal Emissions podcast) it’s hard to find content that rises to the top of the “subscribe” pile. But in a single sitting, I knew I was going to be addicted to Attack of the Queerwolf. The podcast has the two crucial elements of what makes this kind of podcast work, one; knowledgeable and well-read hosts and two; an affable and friendly vibe. The podcast feels like the kinds of conversations I have with my friends about horror movies, calling out problematic elements, commenting on who we’d have sex with, and talking about is a movie “camp” or not. The line between camp and horror is razor thin sometimes and the depiction of queer people can also be so derogative in horror that it makes it hard to know if we’re in on the joke or just the joke. That’s why having actual queer people go over the material and examine it is useful in its categorization of whether it’s fun or actually harmful to the community.
EXCLUSIVE: Get your crucifix and be ready to recite a bunch of Hail Marys because New Line’s The Nun is coming back and screenwriter Akela Cooper has been tapped to write the script for the next installment of the series which will take us deeper into the hellishly sacred world of The Conjuring universe.