In the 1990s, Mimi Leder was a formidable name in television. As a producer and director on the military drama China Beach and the smash hit ER, she helped invent a more robust, cinematic form for a medium that had long existed in the shadow of feature films. Landmark ER episodes like “Love’s Labor Lost” and “The Healers” proved that TV could tell compelling stories on a scale that felt dynamic and epic, using long Steadicam shots and hefty effects budgets to pack a visual punch. So it was no surprise when Leder moved on to film, directing the blockbuster action movies The Peacemaker (1997) and Deep Impact (1998).
James Wan (Insidious, Saw, The Conjuring) and his Atomic Monster are no longer producing a reboot of the […]